Way of Kings by Brandon Sanderson, readalong week 8
19 February 2014
Filed under Book Reviews
Tags: Brandon Sanderson, Readalong week 8, The Way of Kings
This week’s instalment was fantastic – I realise that it’s getting boring me constantly harping on about how brilliant it is – but, it does keep getting better! Anyway, as previously, if you’re thinking of reading this, and there’s no reason why you wouldn’t be of course, then read no further as spoilers are running amok! This week our lovely host is Caffeinatedlife so stop over and check out the other participants:
What do you think of Dalinar’s latest vision concerning the Radiants? Can you make sense of them? Do you think Jasnah will prove or disprove Dalinar’s visions? And what did you think of Dalinar and Navani’s almost moment? 😉
I thought the vision was very interesting. Strange how they all came together as one to abandon their swords and shards. Reading later chapters where Dalinar is in battle with the Parshendi I couldn’t help wonder if they had become similarly sickened by all the death? But, to be honest I’m not 100% sure what’s going on with the visions yet. I think it will be very interesting to see if Jasnah can solve this puzzle. Dalinar and Navani – you just can’t help thinking that she must always have had a soft spot for Dalinar?
Dalinar proposes a military alliance with Sadeas. Given what we’ve read of their relationship and of Sadeas’ character, did Dalinar make the right move? How long do you think this alliance will last? Has Dalinar finally gotten Sadeas on his side by using Sadeas’ interests (gemhearts, the Shardblade, etc.) as incentive or does Dalinar have something else up his sleeve?
This was a really good chapter. I loved when Sadeas made his announcement at the feast and I can’t say how pleased I am that I was so wrong about Sadeas and his motives. I really did think he’d taken on this role just to try and incriminate Dalinar and I had this horrible vision of Dalinar being taken and thrown captive in some dark infested prison awaiting a trial and execution! As to whether their alliance will last – I think it may well do. I’ve decided that I need to trust Sadeas. Maybe fighting together will inspire them somehow and more importantly maybe it will make the other high princes think about joining together? I definitely think that there is something odd going on with the Parshendi – it’s as though they’re playing with the Alethi. How can they keep having so many people to send out to battle – even when they lose. And, also, the way they behave about their dead – something a little bit different with them I think and I don’t think the Alethi know enough about their foe.
This is the first time we’ve read in detail what it’s like to be a Shardbearer fighting with Shardblades in battle through Dalinar. What did you think of it?
Well, as we’ve all said already, Sanderson is excellent at writing these particular scenes. I wouldn’t say it’s the part of the book that I’d normally be drawn to or find particularly holds my attention – not usually at least! But these scenes are quite mesmerising. They draw you in until you’re almost sat on the edge of your seat gripped with tension about what might or might not actually happen. Fighting with Blades and Plates seems a little like being the Iron Man. It’s unusual because although it gives the wearer/bearer the strength it’s the blade and the plates that are using the magic. Whereas with Kaladin he seems to be using the magic directly. Interesting difference.
We get a big reveal about what’s happening with Kaladin this week regarding the Stormlight as well as a revelation regarding Syl’s nature. What did you think of it? Given what we know now, what else do you think he is capable of?
It was quite revealing I thought. I’m not sure what Syl is exactly but they seem to have developed a sort of symbiotic relationship. In terms of Kaladin, he clearly seems to have more ‘magical’ ability than, say, Dalinar, he’s obviously absorbing the power and he leaks the light in the same way that the damaged shardplate does. Also, he seems to be developing similar talents to Szeth in terms of binding. He also survived the storm. As to what else he can do – well, perhaps like in Dalinar’s vision, he will be able to shoot into the air and travel very quickly from place to place?
Kaladin initially blames his curse as the reason why people around him keep dying. Is there some truth to his claims, that this binding ability has some correlation with the casualty count around him, or is Kaladin simply grieving over recent losses? If the former, do you think this might have any connection to what the Radiants are and whatever happened to them?
I just think that Kaladin and the others (all of his other previous losses included) are in the sort of situation where losses are expected. I don’t think Kaladin is the reason why people are dying – in fact, in terms of the bridgecrews doesn’t No.4 now have less casualties than the others? I think he just expects too much from himself – which isn’t a bad thing but difficult to achieve. Perhaps the radiants became overwhelmed with despair – in a similar way to Kaladin seems to sometimes.
- Wit/Hoid is turning out to be more than just the life of the party and a thorn on the sides of the other highprinces. As we’ve seen, he’s not very playful with Dalinar and is quite sober, even ominous, with Kaladin. What did you think of his conversations with Dalinar and with Kaladin? What do you think he’s up to? How does he factor in with everything else that’s going on at the moment (or what’s to come)?
- He reminds me very much of The Fool from the Assassin’s Apprentice – and what I mean by that is he seems to have a strange sense of predicting things and knowing what people are thinking. He turned up in the plains at just precisely the right moment to calm Kaladin down and tell his little story. He feels like a character who knows what the bigger picture is and tries to move around positioning things for a better outcome. I can’t help liking him to be honest and would gladly read more of his story.
Given where we’re now up to in the story I can’t help feelings that we’re going to be left with some kind of huge reveal that leaves us absolutely gagging to read No.2 – fortunately that’s pretty good timing as it happens!
The Revenant of Thraxton Hall (The Paranormal Casebooks of Sir Arthur Conan Doyle) by Vaughn Entwistle
17 February 2014
Filed under Book Reviews
Tags: The Revenant of Thraxton Hall, Vaughn Entwistle
I read the Revenant of Thraxton Hall a couple of weeks ago but took a little time to put together my thoughts. I was really keen to read this book as I’ve read most (if not all) of the Arthur Conan Doyle’s Sherlock Holmes, albeit quite a while ago, and I’m always happy for any pretext on which to return.
Firstly, however, let me not lead you astray and make plain that The Revenant of Thraxton Hall is not about Sherlock Holmes (although he does make a few brief appearances). The main characters are Arthur Conan Doyle and his friend Oscar Wilde. At the start of the story Doyle has finally killed off his literary genius and the majority of London’s populace are not best pleased. The people love Holmes and Doyle swiftly becomes London’s most hated man. A timely intervention temporarily removes him from the scene of rising anger when Hope Thraxton invites him to her country manor. Hope is a medium and believes she has received a premonition concerning a murder – her own – at which Doyle is present.
It’s an interesting premise to base an investigation upon, a possible death, especially as it seems to be the very opposite of the crime stories that Doyle actually wrote about.
So, Doyle and Wilde make their way across the country to attend a meeting of the Society for Physical Research and potentially prevent a murder.
This book definitely makes a good start to what promises to be an interesting story. I think the combination of Doyle and Wilde promises to be a very entertaining duo although I confess that there wasn’t as much wit as I expected in this story. Like I said, though, this is the initial set up.
I enjoyed the setting of Thraxton Hall. A large and gothic family home with plenty of ominous and foreboding stories about the former inhabitants. Dark and gloomy pictures line the corridors and the whole place feels sinister. The hall itself is remotely situated – somewhat reminiscent of the manor in The Hound of the Baskervilles and in fact is temporarily cut off from the outside world when the stream near the property breaks it’s banks preventing travel of any kind.
I did have a few criticisms although not enough to prevent me from reading further instalments. For example, and I don’t know how closely to the truth this story is based, but at the start of the story Doyle’s wife is near to departing this world. She suffers from Consumption and her condition is steadily deteriorating. Given that, and the love and care that Doyle seems to show his wife at the start of the story I was a little surprised at how very easily taken he was with Hope Thraxton. I don’t know, it just seemed a little out of character that he was either ogling her or fantasising about potentially being together when his wife wasn’t yet in the grave! A minor point but it did irritate me a little. I think the biggest surprise for me was the paranormal aspects of this story. Which isn’t really a criticism as I do enjoy a good paranormal story. I was just a little taken aback that ghosts and the like made an appearance here. I think I was expecting Doyle to uncover the whole affair as a huge hoax – which is more to do with my own jumping to conclusions and expecting scientific and logical reasonings behind the whole plot. As it happens, and as I’ve now had time to reflect a little more, I quite like that this story includes this aspect as it is so unexpected and contrary to the Holmes stories, plus it lends quite a lot of scope for future instalments.
On the whole I think this was a good start to the series, I didn’t absolutely love it but I think it has a lot of potential. If you enjoy a bit of a mystery with a gothic feel and characters that you feel you already know then give this a read.
I received a copy of this from Netgalley in return for a honest review. The above is my own opinion.
Longbourn by Jo Baker
15 February 2014
Filed under Book Reviews
Tags: Jane Austen, Jo Baker, Longbourn, Pride and Prejudice
I recently finished reading Longbourn by Jo Baker which I enjoyed very much.
The concept of this book is to look at the story of Pride and Prejudice as told by Jane Austen but through a different lens. The novel focuses on the servants story and as such, although there are little glimpses of the original classic, Austen’s Pride and Prejudice remains very much in the background. I enjoyed that this is a different story that doesn’t try to mimic Austen’s style of writing as I find that retellings of sequels which attempt to mimic another author’s voice are very rarely successful. Particularly if they are mimicking one of your favourite authors – it just becomes too easy to criticise.
Longbourn focuses particularly on one servant, Sarah, and shows the lifestyle that a servant in such a household could expect. The other characters below stairs are the Housekeeper, Mrs Hill and her husband Mr Hill, the Butler. Polly is the other servant, only young and brought to the household an orphan. They are joined by a young man called James – the footman, and source of mystery and attention for Sarah.
The book gets off to a fantastic start as washday is underway. Certainly the lives of the servants was no cup of tea. Early mornings, fetching and carrying, lugging heavy buckets of water. Scrubbing filthy petticoats (which gives a different view to the romanticism of Lizzie traipsing through the muddy fields to see her sister, it’s amazing how you can be so casual about such things when you won’t have a hand in putting them back to rights) and generally working incredibly long hours for very little reward not to mention the precarious and unstable lives they live at the whim of their lords and masters. On top of this it serves to highlight the stark contrast that the pure chance of birth results in. At the end of the day the Longbourn estate is not as wealthy as some of the others portrayed in the original classic and as a result the household staff is relatively small and hard worked.
I liked Sarah. She’s certainly not a perfect character but I quite liked that she’s flawed. She’s reaching a certain age where she no longer feels simply satisfied or grateful with her lot in life. Her eye is attracted by the new footman, James, but his secrecy and withdrawn nature repel her original advances and leave her feeling a little bitterly towards him. James, of course, has a reason for his secrecy. Mrs Hill also has her own secrets that must be closely guarded as does Mr Hill. I liked the fact that the ‘downstairs’ staff have as much going on as the upstairs inhabitants (in fact probably more) and that the Bennets are completely oblivious of that. That is of course the other thing that the story highlights very well – it’s as though the ‘downstairs’ staff barely exist. They’re the faceless people who silently keep the household going. After all – you have a washing machine, it does the washing – you don’t really look to closely at it, particularly the internal workings, you don’t give any thought to how hard working it is! Anyway, I did like Sarah – she’s not always the most reasonable character and sometimes you could almost joyfully slap her but in spite of that you can’t help liking her. She works hard, she actually has very little and she’s of a certain age where she’s restless which sometimes makes her oblivious of her own safety or innocence. There is a brewing romance – which turns into a little bit of a love triangle, with the appearance on the scene of the rather handsome Ptolemy, the Bingley’s own footman.
I haven’t read any of Jo Baker’s work prior to this but on the strength of this novel I would certainly pick up more. Her writing is descriptive without being overbearing. She’s clearly researched the era well and her beautiful storytelling combined with the knowledge of the period make the story quite compelling. I could quite happily read similar retellings from the other classical novels.
In terms of criticisms. I don’t really have any strong criticisms. I think perhaps Sarah’s final choice was a little difficult to swallow but I won’t discuss that further for fear of spoilers. I thought the point of the story that focused on James felt as though it was a little bit too lengthy (although in reality it wasn’t actually long at all) it just pulled me out of the story a little although I can appreciate why the author included it. There are also certain ‘liberties’, if you will, taken with some of the characters from the original story, but, I think this is carried out in a realistic way – it could have happened after all! But, it may be that you might not like the light that some of the characters are shown in.
If you’re going to pick this story up expecting to once again be transported to the world of Lizzie, Jane and Lydia then you may of course be disappointed. That world is simply being used as a stage from which to set this story. The focus is different. The storytelling voice is different. And the lives of the main characters are completely different. Yes, it was a pleasure to return to Longbourn and it was a welcome surprise to find such a good story from the other inhabitants.
I would describe Pride and Prejudice as the chick lit of the era. Now I realise that that is probably going to bring down a rain of criticism upon my head but nonetheless I stand firm. It’s basically a story about a bunch of females choosing bonnets and dresses, going to assembly balls and trying to catch the eye of potential husbands, giggling over the militia and arguing with each other! Chick lit. But, told in the lovely voice of Austen and written in a different period that now lends it a certain charm. Longbourn is told by a modern author and looks at other issues not tackled by P&P. I wouldn’t say it’s trying to be overtly controversial or that it’s trying to focus too hard on certain issues but it does take a look, albeit briefly, at certain issues from the time such as a slavery, plantations, the way that people of the era made their fortunes in sugar, there are also slight sexual references and the inclusion of war and fighting. Now, it might be that you don’t like the inclusion of these elements but they happened, they’re pertinent and they play a part in this novel. At the end of the day a book that focuses on the downstairs staff isn’t going to focus on the same issues as those of the gentry. Sarah’s main focus is hardly likely to be about what colour of roses she wears on her dancing shoes or what the next muslim or hair fashion looks like. She wears handmedown dresses and her hair is hidden under a mob cap! So, this is a modern story about a certain historical period that reflects the issues of the time.
Basically this isn’t Pride and Prejudice and isn’t pretending to be but it is an interesting, well written and compelling novel. It was good to go back to Longbourn and I would definitely recommend this novel without hesitation. I would love to similarly revisit Mansfield Park and Northanger Abby. If you like a good historical novel that briefly brings back to life some of the characters from the classics then give this a whirl. I really don’t think it will disappoint.
Awesome author, guest post…
12 February 2014
Filed under Book Reviews
Tags: Alex Bledsoe, Guest Blog post, Lynne M Thomas, The Book of Apex Vol 4
This week, I’m hosting a guest post from a wonderful author who has been generous enough to speak to me about a topic that I’m particularly interested to hear more about. This has all been organised as part of the Book of Apex Blog tour arranged by Andrea over at the Little Red Reviewer. To be honest, I had about a million questions but this post will focus on just one (for now!). I’m always curious about how authors manage to write more than one series at the same time, how do they keep the characters separate and the plots fresh and unique? Alex Bledsoe has agreed to guest post on this very topic giving me his own perspective. Tell me you didn’t just explode! (I actually hope you didn’t because somebody has to clean that up).
In case you’re unfamiliar with Alex Bledsoe let me give you a quick, though very impressive biog! Born in Tennessee Alex grew up about 20 minutes away from Nutbush – I couldn’t resist putting this bit in here (not often you get to put Nutbush in a sentence! and, yes, I’m a bit of a child but I love that name and it makes me want to burst out into song!) Alex now lives in Wisconsin (apparently the home of trolls – which, strangely, makes me want to go and visit!) Anyway.

Courtesy of Alex Bledsoe’s blog
Novels include:
The Eddie LaCrosse novels – sword and sworcery combined with hard boiled style mystery – ‘Raymond Chandler meets Raymond E. Feist’ says Publisher Weekly. This series includes five novels starting with The Sword-Edged Blonde (which I’ve just read and will review later in the month) followed by Burn Me Deadly, Dark Jenny, Wake of the Bloody Angel and the recently released He Drank and Saw the Spider.
The Memphis Vampires including: Blood Groove and The Girls With Games of Blood.
The Firefly Witch : three short stories including The Firefly Witch, Croaked and Back Atcha
And, the Tufa novels – including the Hum and the Shiver and Wisp of a Thing. A wonderful series about the Tufa people of East Tennessee – an excellent blend of fantasy – not urban fantasy really, more country or rustic fantasy.
Plus, A LOT of short stories – including the lovely tale ‘Sprig’ included in The Book of Apex Volume 4.
For info and ease of reference here is the official site for Alex.
So, as you can see above – Alex is pretty well placed to talk about the complexities of writing multiple series!
Firstly, Alex, welcome, and thanks for the guest post.
Lynne was kind enough to invite me to her blog today, and asked me if I’d post about writing book series. I should say up front that I’m really only talking about myself; other writers may have totally different opinions. So here we go.
Lots of authors, especially in what is known as “genre” fiction—mystery, science fiction, horror, etc.—write series. Urban fantasy and paranormal romance are almost entirely built on series. Readers love to return to characters they know, and I’m including myself in that: I’m a loyal reader of several series myself.
Writing a series presents its own challenges. Writing multiple series, as I and many others do, is even more complex, and comes with its own set of issues.
The primary challenge is ensuring that the different series don’t all sound the same. This is more than simply switching genders or locations, as one of my heroes, Robert B. Parker, discovered with his Sunny Randall books; as well-written as they were, it was clear to any long-time fan that he’d simply switched the gender of the hero from his Spenser novels, made her sidekick gay instead of a black thug, but otherwise essentially kept the same tone. They were Spenser mysteries in drag.

The Eddie La Crosse series
My first series—my first character, really—was the Eddie LaCrosse mystery/fantasy novels. Since they’re a high-concept series (secondary-world fantasy stories written as if they were Forties detective novels), a lot of storytelling decisions are based on the genres to which they harken back: the stories are told in first-person by Eddie, and there’s always a mystery, and usually a crime, at their heart. The first-person voice means everything has to be seen from Eddie’s perspective, which is actually a great help when you’re trying to decide how to present information. Did Eddie see it? If not, then somebody has to tell him about it. Many other genre tropes are presented and tweaked, and for me, half the fun is finding ways to drop in anachronisms without losing the suspension of disbelief.

The Firefly Witch
My second series is the Firefly Witch short stories and (hopefully soon) novel. The actual protagonist of these stories is Tanna Tully, but for the most part her husband Ry is our point of view character. That was a deliberate choice, made for the same reason that Conan Doyle has Watson tell the stories of Sherlock Holmes: the narrator acts as the filter through which we see the hero. If Holmes told his own stories, there would be little drama and certainly no great reveals. Similarly, if Tanna explained how her magic worked, it wouldn’t be…well, magic. Ry’s astonishment in the story hopefully mirrors the reader’s.
The Tufa novels, on the other hand, are completely different. They’re set in the modern, contemporary world, and use cultural references every reader should know. They’re written in third person, and frequently change perspectives based on who’s in a particular scene. Most crucially, there’s no central character: a protagonist in one novel may show up in only one or two scenes of another. The place is the connecting link, and the shared folklore of the Tufa community.

The Tufa Series

The Tufa series
The Tufa novels also present a completely different challenge when it comes to thinking up new stories. For both Eddie LaCrosse and Tanna Tully, trouble comes to them; they work in professions that bring them in contact with people already in trouble, and that makes it very easy; every knock on the door means a new story. But for the Tufa, it has to be a more organic process, something that is ultimately driven by the tensions within the Tufa community itself.
In all three series, though, there’s one central issue that I have to watch out for, and that’s repetition. No one wants to read the same story over and over, and I certainly don’t want to write it. So with each idea I consider, I have to really boil it down and ask myself, is this fundamentally the same story I’ve told before? If it is, then I disregard it and try again.
And that, briefly, is how I address writing multiple series simultaneously. Thanks for letting me ramble on, and if you have any questions, please leave them in the comments below and I’ll try to answer them. And thanks to Lynn for having me!
Brilliant, and, thanks again Alex 😀
Way of Kings by Brandon Sanderson, readalong week 7
12 February 2014
Filed under Book Reviews
Tags: Brandon Sanderson, Readalong Week 7, The Way of Kings
Welcome to week 7 of the Way of Kings readalong, this week being hosted by the fabulous Sue at Coffee, Cookies and Chilli Peppers who has come up with some excellent questions. I must admit that this week’s instalment had some great revealing moments! I actually could have just continued and read to the end and I did read an extra chapter (by mistake – don’t judge me!).
Anyway, okay, I admit it, you might be a little late to join the readalong at this point but, that being said, you’re still very welcome, we don’t beat latecomers with a big stick, no sirree! If you can’t face up to the catch up but still want to read this – and remember No.2 is due out very soon with a great giveaway already announced (details here) – then I really do encourage you to read this book – it’s fantastic. Really, I kid you not.
Enough chit chat! Q&A (with plenty of spoilers contained within):
1. What did you think of the replacement for the delightful Lamaril, or rather, what did you make of his wife, who seems to do all his work? She assumes that chasm duty is the worst punishment that she can throw at the bridge crew, so were you surprised that Kaladin saw an opportunity in it so quickly?
What a storming bitch! Actually, all the duties sound a little bit rank and I would be hard pressed to choose between this and latrine duty. Although, chasm duty does involve robbing dead and decaying bodies – which is really rather awful! Both, duties just have so many levels of badness. It doesn’t surprise me that Kaladin would think of a plan like this – he’s already made a number of escape attempts anyway. I suppose the biggest surprise is that this is so large scale.
2. Please use this opportunity to list all the imaginative ways that you would like Roshone to suffer for forcing poor little Tien into the army. 😦
That was so horrible and unjust. I couldn’t help thinking, no matter how wrong, that it would have been so much better if Kaladin’s father had just let him die! Well, I think Kaladin should take him captive and then – TO THE PAIN:
Kaladin: To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose. Roshone: And then my tongue I suppose. Kaladin: I wasn’t finished. The next thing you will lose will be your left eye followed by your right. Roshone: And then my ears, I understand, let’s get on with it. Kaladin: Wrong! Your ears you keep, and I’ll tell you why, so that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, “Dear God! What is that thing,” will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever. (I’ve changed the names in the above quote - in case you haven’t guessed which book it's from!)
Or maybe Rock could go and cook him some inventive food using plenty of spices and faecal matter!
Maybe Jasnah could turn him into a gigantic gemstone!
Enough.
3. Finally, somebody is asking questions about the inconstancy of the Parshendi artifacts and how Gavilar changed in the months leading up to his death. What do you make of the accounts that Shallan is reading? Also, what do you think about Shen, the Parshman added to the bridge crew?
To be honest I still don’t really understand what’s going on with the Parshendi. They clearly showed themselves willingly to Gavilar – either they let him know too much about their culture, etc, than they ever intended and then thought it was too dangerous to let him live, or, they deliberately planned it all from the very beginning – why they would want to bring a war down upon themselves I really don’t know – the only thing I can think of is misdirection. Keep everyone busy over on the chasm fields while planning and putting into effect some fiendish plot elsewhere. So little is known about them and I seriously hope we’re going to find out more – can’t help thinking that Kaladins plans to escape through the chasms might bring us some more information about them – perhaps he’s going to discover their mysterious city. Shen is going to be interesting to watch. I’m not quite sure why all the Parshmen are so submissive and subservient – it’s almost like the difference between a wild horse and a tamed pony. They seem to be very similar in some aspects but then so different in others. It will be interesting to see what happens if Shen has to go on a bridge carrying mission.
4. Shallan has some seriously bizarre visions or hallucinations. Do you have any new ideas about the nature of the symbol-headed figures: are they good or evil? What about the alternative world and the beads: could that really have been the soul or essence of the goblet that she spoke to before it changed into blood?
Somehow, I don’t think the symbol headed figures are evil. Even though Shallan was scared of them and they seemed to be following her I just wanted her to stop and try and find out if there was a message. Now, I know that’s very easy for me to come across so blaze when I’m sat in the comfort of my living room but, they’re clearly around her all the time and they haven’t harmed her so far – maybe they can’t harm her. I think they’re trying to give her a message in the same way that Kaladin and Dalinar seem to be receiving messages and visions. It feels like the three of them have been chosen for something. The voice she heard was strange – didn’t Dalinar (or was it Kaladin) hear exactly the same thing or have I just imagined that? Maybe the symbol headed figures appear like that because it’s impossible to catch their true face for some reason – like, if an image is moving too fast for example? Interesting point about the goblet and whether or not it has a soul – I’m trying to remember now, I’m sure that in Sanderson’s The Emperor’s Soul there was a similar principle used there??
5. Does Kaladin’s dream / vision seem similar to those that Dalinar has been having? He is called the ‘Child of Tanavast, Child of Honor’ and there is mention of an entity called Odium, who appears to be rather bad. Do you have any speculation about these two beings, how they fit into the world that we have seen so far and why the name Odium makes Syl hiss and fly off?
I got a different feel from Kaladin’s vision. Dalinar’s clearest vision took him back into the past where he actually became an active party in the scene, Kaladin’s almost felt as though he was being carried on the storm to look at future visions or see little glimpses. I don’t really know why it felt like that to me and it’s probably totally wrong but at the time I just had a feeling that he was being carried into actual scenes that were taking part in the here and now or near future. Child of Honor clearly seems to run along the lines of Kaladin becoming a hero doesn’t it! Odium – the name sounds a little ominous doesn’t it? Presumably some sort of entity who brings evil (not terribly perceptive of me!)
6. We have learnt some more about the events following Cenn’s chapter way back at the beginning of the book. Were you surprised that Kaladin defeated a Shardbearer almost singlehandedly? This still does not explain why he is a slave, but does it bring us closer to guessing?
I think I may have read on a chapter too far to be honest – mistakenly – so I won’t guess at this. I wasn’t surprised that Kaladin defeated a Shardbearer because he’d already claimed to have done so and there was no reason to doubt him. Little Kaladin crush developing perhaps?
7. I think I made it quite clear last week that I did not trust Kabsal, so I am now feeling rather smug. However, I did not guess at the poison in the bread: did it surprise you as well? Can you see any way that Shallan can reconcile with Jasnah now that the theft has been revealed?
I really didn’t suspect Kabsal at all! I literally just thought he was sweet on Shallan. I was gobsmacked by the whole thing. I’m not sure that Jasnah could trust Shallan again. I wish that she’d given her at least a chance to explain and maybe to tell her some of the other odd things that had been happening – because I think they would be enlightening to Jasnah – but, I would probably have reacted in a similar way as Jasnah. I never liked Shallan’s scheme. In fact it put me off her as a character to be honest. I’ve got over that a little bit now and I did feel sorry for her at the end of this section but I still think she behaved very badly to seek to work for someone, earn their trust and then take their most valued possession. I still think that Shallan has a bigger part to play however – at least her gift seems to make me feel that way.
This week’s chapters were really gripping. I highlighted a couple of points that I found curious:
During the weeping, this about Kaladin ‘He actually missed the high storms, with their rage and vitality. These days were dreary, and he found it difficult to get anything productive done. As if the lack of storms left him without strength’ – yet more fuel to the fire about Kaladin taking some form of power or energy from the storms, almost sounds like not only do they charge the spheres but they also give him energy – also Dalinar always had his visions during the storms.
‘During Kaladin’s vision ‘A man stood over two corpses. His pale head shaved, his clothing white. He looked up from his victims and almost seemed to see Kaladin’ – I think it was this sentence that made me think that Kaladin was looking at either current or future events in his vision rather than in his past – I don’t know why but I wondered if the vision was showing us Szeth who has started to kill the victims on his list – bit of a HUGE leap of imagination but….
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