“I have crossed oceans of time to find you.”

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Here we are again with the Friday Face Off meme created by Books by Proxy .   This is a great opportunity to feature some of your favourite book covers.  The rules are fairly simple each week, following a predetermined theme (list below) choose a book, compare a couple of the different covers available for that particular book and choose your favourite.   Future week’s themes are listed below. This week’s theme:

“Thus with a kiss I die” – a cover featuring a couple

Well, I thought this week was going to be a doddle.  How wrong could I be.  I found a couple of covers for Dracula (The Count and Mina) and also a couple of covers for Jacqueline Carey’s Miranda and Caliban.  But, I decided to go with Vampire Empire (The Greyfriar (Vampire Empire #1) by Clay Griffith, Susan Griffith).  Again only a couple of covers for this one but both so very different:

My favourite – I had to go with the dark vibe:

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Which is your favourite?

Next week – a cover in the regency style

Future themes:

3rd November 2017 – ‘Desperate affairs require desperate measures’ – a regency style cover

10th November 2017 – ‘zip it, lock it and throw away the key – a cover featuring a key

17th November 2017 – Snap! – a cover featuring a double image or reflection

24th November 2017 – ‘I wonder if the snow loves the trees and fields, that it kisses them so gently’ – a cover featuring snow

1st December 2017 – The pen is mightier than the sword – a cover featuring a fancy font

8th December 2017 – ‘Do not go gentle’ – a cover featuring the night…

15th December 2017 – Hubble bubble toil and trouble – a cover featuring a portion/perfume bottle

The Stone in the Skull (Lotus Kingdoms #1) by Elizabeth Bear

the stoneI’m going to start this review by saying that I loved The Stone in the Skull.  This is a beautifully written story, truly epic in scope, resplendent with creativity and graced with wonderful characters that you can’t help feeling attached to and caring about.

The story gets off to a breathtaking start and a speedy introduction to two of our main characters.  A caravan travelling south across the Steles of the Sky is attacked and only the quick thinking of two of the mercenaries hired as protection saves the day.  Gage and The Dead Man.  They carry an important message and are anxious to reach the Lotus Kingdom in a timely fashion.

Meanwhile we witness two important ceremonies.  The first introduces us to Mrithuri as she embarks on an age old ceremony that will bestow a prophecy upon her kingdom for the forthcoming months.  Mrithuri is ruler to a prosperous kingdom.  As such she has been pursued by plenty of suitors and whilst she has managed to fend off proposals for many years, not wishing to hand over her power to a man, the issue is becoming more critical and her neighbours, tired of waiting for an alliance through marriage are amassing armies on her doorstep.  The second ceremony is a more dangerous affair that involves divers seeking fresh water to sustain the people of the kingdom.  Reyna, cousin to Mrithuri, is currently acting Regent for her three year old son.  Her kingdom is much poorer and her people frequently struggle to survive.  Unfortunately, the water gathering doesn’t go exactly as planned and whilst this will once again cause unrest and undoubtedly prompt the people to call for Reyna to marry, it also highlights a much greater threat to the kingdom.

To the characters then.  The main four are as above, although there are also a number of intriguing peripheral characters.  The two main females play strong roles and I really enjoyed reading about both heir stories but I can’t deny that, for me, the Gage and the Dead Man stole the show a little with their friendship and strange, yet compelling, banter.  The Gage, once a human being, is now an automaton, created by a Wizard who no longer exists.  The Dead Man was once a bodyguard to a deposed Caliphate.  Both, lacking purpose, have become mercenaries.  Strangely enough, and in spite of the scope of the story here, I would almost say that the real focus for this instalment at least, is for these two to find a purpose – which they certainly manage to do by the end of the book.  What I really liked about all the characters is the amount of emotional depth that Bear succeeds in bestowing upon them, it’s enough to make you weep with joy.  Seriously, this author is an expert at characterisation.  I think where she also really succeeds is in finding their individual motivations and this is what makes them so compelling to read.

I’m not going to elaborate on the plot, suffice to say that there is truly a lot of scope here not to mention an elaborate set up for the next book – in a good way.  However, if you’re expecting 10,000 orcs marching into battle with all the resultant bloodshed then you may be slightly disappointed.  This story may be epic but the majority of the action takes place off page.  Don’t get me wrong, I’m probably making it sound as though nothing happens, which is far from the truth, there are disasters and betrayals that inevitably lead to bloodshed and violence, but the nature of this story focuses much more intently on the central characters and the political and court intrigue surrounding them.  There are riddles, poets, magicians, revenants and kidnapping and a final uncovering of certain inevitable truths that will no doubt be the focus of the next book.  The writing is compelling and beautiful and the overall result is a gradual but deep connection to the main cast and for me an irresistible urge to have the next instalment in front of me right now.

Put simply, I loved this.  The setting is well portrayed, the cast are easy to embrace and the overall plot is intriguing.  I’m not going to deny that this is a slow build and that once the initial burst of excitement from the opening chapters is out of the way this does calm down considerably but personally I didn’t find that a problem because I was so engrossed in the Lotus Kingdom and it’s rich descriptions.  A real beauty of a book.

I received a copy through Netgalley, courtesy of the publisher, for which my thanks.  The above is my own opinion.

 

Waiting on Wednesday : The Testament of Loki (Runemarks) by Joanne Harris

“Waiting On Wednesday” is a weekly meme that was created by Breaking the Spine.  Every Wednesday we highlight a book that we’re really looking forward to.  This week my book is : The Testament of Loki (Runemarks) by Joanne Harris.

There isn’t even a write-up/blurb for this book yet but even so I’m really excited.  I’ve read a good number of books by this author and love her work.  I read the Gospel of Loki and loved it and so I’m very excited for this one.  Feast your eyes on this gorgeous cover:

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Due out March 2018.

 

“Thank goodness I was never sent to school; it would have rubbed off some of the originality.”

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Every Tuesday over at  The Broke and Bookish we all get to look at a particular topic for discussion and use various (or more to the point ten) examples to demonstrate that particular topic.  This week’s topic is:

Top Ten Unique Book Titles

To be honest, having looked through a few of my recent reads there are quite a lot of unusual and unique titles floating around.  Here are a few that I came up with on a first check.

  1. The Girl with Ghost Eyes
  2. Monstrous Little Voices
  3. The Importance of Being Ernest
  4. It Happened one Doomsday
  5. The Bear and the Nightingale
  6. The Fifth House of the Heart
  7. The Wheel of Osheim
  8. The Curious Affair of the Somnambulist and the Psychic Thief
  9. Flowers for Algernon
  10. The Punch Escrow

 

The Crow Garden by Alison Littlewood

crowThe Crow Garden is a wonderfully evocative novel that brings to us a gothic story set in Victorian England.  The story is positively bursting at the scenes with the trappings of a novel set in this era, asylums,  mad doctors, mesmerists, ghosts and pea soup fog, and yet the author manages to inject new life into those tropes by introducing such an unusual story and at the same time giving, to my mind, a nod to maybe a couple of the classics.  Wilkie Collins certainly sprang to mind whilst reading this – although I’m not suggesting that the story is the same in any way – more the style of writing somehow, not to mention the theme of women being closeted into asylums when they became problematic to their husbands.

At the start of the story we meet Nathaniel Kerner as he takes up his position at Crakethorne Asylum, a remote institution based in the wilds of Yorkshire.  Perhaps Nathaniel was naive in taking this position, if first impressions are anything to go by that is.  Crakethorne bares little resemblance to the material Nathaniel read prior to taking up his new role and his initial description puts you in mind of the foreboding Thornfield House from Jane Eyre.  Crakethorne is a dark and ominous building, built with grey stone with no embellishments to soften it’s demeanour, set in unkempt grounds that play home to the many crows that the book is named for it’s a place of howling winds and harsh treatments.  Small wonder that most of the inmates speak of ghosts.

Nathaniel is a man with his very own skeleton cupboard.  He blames himself for the death of his father and is determined to try and redeem himself by helping those in need.  His new ideas don’t sit too well with the asylum’s proprietor.  Dr Chettle is more interested in phrenology (study of skulls) and is more inclined to old fashioned methods for his inmates.  Chettle comes across initially as a bit preoccupied, maybe a bit crazy himself but as the book progresses his character definitely takes on a more sinister tone.  But, I get ahead of myself.

Nathaniel immediately takes on his roster of patients and we learn more from his journals.  One of his patients is a young woman called Mrs Harleston, a well to do young lady of society who seems to have become hysterical/delusional after experiencing an ‘episode’.  Her husband wants her ‘fixing’ and able to perform her wifely duties as soon as possible (he’s a real charmer for sure).  The young doctor finds himself becoming increasingly obsessed with his new patient, he of course tells himself that she is a respectable woman, intelligent, fragile and of a standing that should dictate respectful treatment – lets just be honest though, she’s a very attractive woman and he is besotted.  His attempts to help Mrs Harleston become ever more desperate as he seeks to prevent Dr Chettle from using more drastic treatments and eventually he resorts to engaging a mesmerist, after which things go horribly wrong.

The writing is really strong.  I read this and could easily have thought I was reading a much older book – that’s how well the author captures the style and feel of Victorian England.  The story itself is a mystery, it has hints of the supernatural, although these could be easily explained as delusions, but, more than that it takes a good look at the treatment of women in a society where they were little more than belongings.  Quite shocking really, as was the treatment of those suffering from mental health issues.

In terms of the characters.  Well, they’re all a bit difficult to like to be brutally honest.  Nathaniel, well, I don’t suppose he’s a bad character as such but I wanted to slap him, more often than not.  He’s from the school of thought that ‘women don’t know what’s best for them’ and lets just be blunt, he’s not really being very professional now is he – it’s as clear as the nose on your face that he has feelings for Mrs Harleson and added to that is the feeling that, to my mind, he wasn’t really intent on helping her.  Deep down I think he wanted to keep her where she was.  Mrs Harleson, well, at first I’m going to say I didn’t like her.  Even after finishing and thinking about the novel some more I would say she’s manipulative, but then, on reflection, she lives in a society where she has no say, her husband can have her committed to an asylum at the drop of a hat and she’s basically at the whim of men who are determined to call her insane whether she is or not.  With that in mind, well, I find her actions a lot more easy to understand.  Sorry to be a bit mysterious but I’m trying to avoid spoilers.

Settings.  Well, we start off with the asylum which is wonderfully conjured and as events progress we move to London where the streets are thick with fog.  Victorian London has become enamoured with illusionists and Nathaniel finds himself drawn into the spiritualist circles and ultimately led to a new performer at the Egyptian Hall.

In terms of criticisms.  Well, I found myself quite engrossed with this book and it definitely worked it’s charm on me but, I felt like the two different settings were a little disjointed.  That’s probably not very well explained, All I can say is that the change from one setting to the other felt hastily drawn and not as well thought out as the proceeding or following chapters.  I also felt like the ending was a little bit rushed when compared to the pacing for the rest of the story and this just made me feel as though I’d missed something or that maybe something had been cut from the story.  I would also mention that if you have a penchant for fast moving action stories then this doesn’t really fall into that bracket.

Overall though I really enjoyed this.  A story of deception, secrets, lies and the slow descent into madness.  As I mentioned it has a tone reminiscent of the classics.  Collins, Dickens and from amongst more contemporary authors Hill and Waters.  Beautifully written and wonderfully evocative.  A real thought provoker that calls to mind the old saying ‘be careful what you wish for’.

 

I received a copy through Netgalley, courtesy of the publisher, for which my thanks.  The above is my own opinion.

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