The Hobbit, An Unexpected Journey

Last night I went to see the Hobbit.  I was so excited that I could practically burst – I know, I need to get out more!  Anyway, I will start by saying that I really enjoyed the film.  I had reservations and I’ve been mulling it over.  A lot.  The following is my rambling reflections.

I went to see the film with my husband and we’re both basically going to have to agree to differ on this one.  To be honest he wasn’t keen to see the film because he was unhappy with the book being split first into two and then three parts – thinks it’s exploitation.  Okay, he’s got a point, but at the end of the day film makers are there to make a profit.  So, basically, he went into the film with negative expectations.  I went into the film with quite frankly over zealous, huge, monumental-off-the-chart expectations and there’s the rub – it was never going to quite live up to that standard.  So we came away, with my husband admitting it’s a good film, but with reservations and me thinking it’s a good film also with reservations.

I’m going to try and articulate my feelings on it but it’s probably going to be far from smooth.  I will start by saying I don’t have a problem with the film being split.  The books are two entirely different cups of tea and to make sweeping statements about the length of the Lord of the Rings books with one film for each and the length of The Hobbit with virtually the same is pointless.  The Hobbit was written as a children’s story.  As such it’s filled with silly nonsense and plenty of action.  The Lord of the Rings is written for adults, it’s world building is paramount, it’s scope epic – children would be probably bored within minutes.  But that’s why I think the Hobbit can work over more than one film because there is such a lot going on in the story.  LoTR has loads of detail – people quite often bemoan the fact – but when you translate this into a film, yes, great for the sweeping backgrounds but, not quite as much action per book.  The Hobbit is quite full of different action scenes.  If the same attention to detail had been paid on this book I dare say Tolkien could have made it into three books.  Therefore to give each of these chapters relevance I can see no problem with two films.  The third film I’m puzzled about and am assuming it’s some sort of novel that brings together all sorts of relevant background information to link the books and provide us with six films that when watched together become an epic story?  Don’t know if that’s the case though.  Feel free to enlighten me.

What I did have a little problem with is the pacing.  To be honest, most of the film I think is perfectly pitched.  There’s some background at the beginning which I think is quite relevant and well done and then we move onto the introductory chapters in the Shire.  Personally, this particular part of the film was too long and it felt like it dragged.  I mean, meeting the dwarves is great and seeing them rampage through Bilbo’s home while he hustles and bustles about is brilliant.  But it’s simply too long and you reach a point where you’re thinking, okay, move on now!   There were a couple of other scenes that were a little similar where there’s prolonged shots of people looking meaningfully at each other while you sit there thinking wtf.  Most of the other scenes didn’t feel quite as prolonged but I would suggest that the film could be reduced by about 30/40 minutes – it almost feels like a justification of the fact that the book’s been split.  It’s not necessary.  Two hours is a perfectly reasonable time for a film – particularly when there’s two more films to follow.  Stop apologising and just get on with it.  One of my biggest disappointments in recent films were the final two of the Harry Potter series where the Deathly Hallows was split.  I really just don’t like those two films.  The first is just down right boring and the second is none stop action.  It doesn’t feel right for me and it spoiled the end to a brilliant series of books and film interpretations.  Probably because of the whole start, middle and end, which when split over two films generally leads to a bit of a dull first film.  The Hobbit isn’t like that.  The Shire scene isn’t the best in the world but it pretty quickly moves on.  So, again, I don’t think the film would suffer the same as the HP films did.  I just don’t think the length was necessary and it feels like you’re watching an extended version – which is okay once you love the film and are gagging to see all the extras.

There were two other points that sat a little ill with me.  Firstly, it appears that these films are going to be turned into sweeping epics like the LoTR.  Now, you can call me a purist if you want but the Hobbit is far from a sweeping epic.  It’s a quest, a journey to recover a mountain claimed by a dragon.   The LoTR is an epic because it involves the survival of the whole of middle earth.  Great sweeping battles pitched against menacing foe with a dark ruler who plans to take over the entire world spreading rot and ruin.  It’s not the same is it.  ‘Oh, I want my mountain back and my home’ or ‘mm, lets save the world as we know it’.  The Hobbit just simply isn’t epic.  It’s a great story with a bunch of amusing characters bumbling along trying to stay alive and have a bit of an adventure.

And, that brings me perfectly to my final point, which is that in keeping with the LoTR and in order to please fans of the film, etc, etc, we have a completely different nature of dwarf to that in the book.  Again, I’m not being purist.  I can see the reasoning behind a number of changes within the film which I won’t be so indelicate as to mention here.  But, the dwarves are like bloody warriors.  In The Hobbit they’re, frankly, less than useless and would be quite undone if it wasn’t for Bilbo.  In An Unexpected Journey they’re all like swordsmen and experts with the bow and arrow – too much of a reflection of LoTR I felt and a little bit unnecessary.  Perhaps it was felt we would think all dwarves are like Gimli who was quite capable after all, but the ones in this story are not really battle hardened are they?  I can live with it and see why it’s been taken down that route.  But…Anyway, if you think when The Hobbit was based in relative terms, this is before anybody new they had a problem, right?  So, think of the FoTR – it’s got a lovely feel to it at first, everybody living their lives in blissful ignorance of the menace growing around them.  So, given The Hobbit is much earlier – it should have a much lighter feel also shouldn’t it?  – instead of which, it does have rather grand sweeping fights underground and other things brooding.   Again, can see the reasoning behind the brooding but….

Okay, that’s my main criticisms.  Think this film should have been shorter.  The nature and feel which has been changed.  The Dwarves are all, with a few exceptions, heroes.

Now, that all sounds really critical which isn’t intended.  I enjoyed this film and intend to go and see it again (and probably again, who am I kidding). The music was uplifting where it needed to be.  The return to middle earth was brilliant.  The shooting of the film is masterful.  We got to revisit old places and friends.  Gandalf was his usual amazing self.  Bilbo was played brilliantly I thought and Gollum absolutely stole the show.  I think it’s great I really do.  A masterful creation.  I have no doubt that people will love this film – as will I.  Just needed to think a few things through.  There’s still loads to look forward to after all and I can’t wait to see it again!

 

The Hammer and the Blade by Paul Kemp

Posted On 13 December 2012

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Just finished reading the Hammer and the Blade by Paul Kemp which I enjoyed very much.  A proper, good old fashioned return to Swords and Sorcery with plenty of action, a couple of very likeable rogues and a new world with plenty of monsters and action.

The story begins with our main characters, Egil and Nix, doing what they do best – tomb raiding.  It’s an entertaining start and whilst I’m not always a great fan of prologues this particular one is well done.  It’s entertaining, it immediately informs us that the world created is something new filled with magic and demons, it gives us a brief introduction to our two protagonists and on top of that it gives us the ‘why’ to the story that follows.

I’m not going to really go into the plot.  Suffice to say there are no dull moments, I personally felt the world was well written and the main plot imaginative.  But, the absolute, without doubt, highlight of this book is the characters.  Nix and Egil come across really well as do the surrounding characters.  They’re both far from perfect, they’re rogues after all.  Tomb raiders with a difference and a hint of magic (particularly Nix with his gewgaws) but they’re deep down not bad guys.  Plus I liked the way that they came to rethink the way they regard women towards the end of the story – in other words they’re open minded, prepared to think differently.

There’s a really entertaining friendship here which comes across very well.  Nix is the wise ass, quick talking, sarcastic and Egil is the more measured character, I suppose you could call him the brawn although that’s probably not totally fair on him as he comes across as more than that, he’s a priest, he’s a bit of a beast by all accounts wielding his two hammers and he’s definitely somebody who you would want at your back.  I think Kemp has come up with a great friendship here – at the end of the day this is what you really need to make this type of story because you’re going to spend a lot of time with these two.  And the other area that I really think he succeeds with is his dialogue.  It’s witty, sharp, funny and, more to the point, believable .  You can believe somebody having these conversations and responding the way they do.  They have a natural flow.  I think that you can have a fantastic premise for a story and good characters but the dialogue is also so fundamental to the enjoyment.  If it feels wrong you’re not going to continue with it.  This succeeds on this level.  And, finally, the other thing I thought was really good was that the author just assumes you’ll jump straight in to the novel.  There’s no handholding taking place here as we walk through the characters history and backplot.  No major info dumps.  Just straight in there.  You’re smart enough to keep up so there’ll be no mollycuddling.  I like this attitude.  It assumes you have a certain level of intelligence and you’ll get stuck straight in.

So, on the whole very enjoyable and entertaining.  I look forward to the next in the series.  I could become quite attached to these two characters (although my favourite is Egil – I just can’t help it!)

I don’t think I really had any criticisms.  Okay, I don’t think this breaks any moulds, but, does it have to really?  It’s also not dark and brooding, but, again, does it really need to be?  I just thought it was a good, fun read and I will definitely continue with the series.

 

Bitter Blood by Rachel Caine

Just finished reading Bitter Blood, the 13th instalment of the Morganville Vampire series written by Rachel Cain.  The series is based in the fictional town of Morganville where vampires and humans live together, usually in a less than amicable fashion.

The last book saw the elimination of the one remaining threat to the vampires – the Draug.  And even though the humans had to help massively in order to succeed it seems that the vampires gratitude has been short lived as it finally dawns on them that they really are now at the top of the food chain.  They no longer have anything to fear and their vicious and predatory nature is being given much more of a free rein.

It seems like the inhabitants of the Glass House are once again in the middle of the tensions.  The vampires are angry with Michael for marrying Eve and the humans in town are angry with Eve for marrying a vampire.  It seems like an open season has been declared on the four with Captain Obvious riling up the town to acts of violence whilst simultaneously Amelie has withdrawn her protection.

I liked this instalment – it seemed to return in feel to the earlier books in the series.  Although the author is still using the multiple POV style of writing adopted in the latter books.  I like this approach and think it gives a more rounded view of events than always just using Claire as the main vehicle for telling the story.  But, whilst I enjoyed this I did think it had a fairly slow start and took a good while to really pick up in terms of action.  I don’t really mind that particularly however this book did feel as though it dragged a little and it felt like it took longer to read.  Not really sure why as I did think the storyline was well thought out.  It always amazes me how Rachel Caine manages to come up with a new self contained plot for each successive book.  She never fails to come up with something unique and she manages to sustain a certain level of tension.  Sometimes I think that maybe she’s going to give Eve, Michael, Shane and Claire a bit of a break but she’s just relentless.

Miranda returns in this book – as a ghost in the Glass House, in a similar fashion to Michael at the start of the book.  She’s a strange and sad character really and her untimely demise and resurrection into the spirit world has removed her ability to foresee the future and she really misses the insight that provided her with.  The ghosts of Morganville seem to take a much more active stance in this edition and it will be interesting to see if that continues.

Myrnin, as usual, plays an invaluable role.  He’s my favourite character of the series and the one who I worry about. I hope RC doesn’t have anything bad in mind for him! (Pretty please!!)

In terms of criticisms I did have a couple.  It would be easy to get all preachy about the fact that Amelie is made into a bit of a puppet in this book and to get all naffed off about her losing some of her power to Oliver – but, Oliver was, after all, being controlled himself.   So, no, I didn’t really have a problem with that.  I think my main criticism came after Michael’s jaw dropping scene at the hospital (and that’s the only way I can write that without giving away spoilers) – and it wasn’t really a criticism about Michael because, again, you could see the reasoning behind it.  It was Shane, and Eve’s, reaction to events – which was to be annoyed with Claire.  It just really bugged me.  I mean, even Claire felt bad about what happened and yet she’d been powerless in the string of events.  I suppose there is a little bit of Claire that feels guilty, especially over her mixed feelings for Myrnin, but even so, I was a bit pissed off with Shane and Eve.  Also, Miranda even asked Claire if ‘it’ was true or not – well she should know, after all, she spends half the time floating invisibly around the house and indiscriminately eves dropping so she is definitely well placed to see if any of the friends are getting up to anything?  No??

Also, I wasn’t overly in love with the whole ghost tv crew side story and couldn’t really see the point of it other than to bring in a new person with psychic abilities.

Other than that I thought this was a good read and it ends on a very interesting proposition.  I won’t spoil it but it will be interesting to see where the next books goes and I’m thinking that we’ll have two alternative story lines to look forward to.  That being said Rachel Caine usually manages to surprise me so I dare say I’ll be wrong in my thinking of what direction she’s taking us in!

 

 

 

Footsteps in the Fog… (mine)

Posted On 1 December 2012

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So last night walking home from work was very creepy.  I left work, it was dark, it was cold, cold enough to see the breath freeze in front of your face as you exhale and it was slightly misty.  Not pea soup.  Just a slight mist.  It looked almost romantic.

I got my bus, got off and went to the shop for a couple of things (okay wine!) and by the time I got back out into the night it was properly foggy.  The mist had set in for a while.

It was so quiet all the way back to my house that it felt like I was the only person outside.  It was as though everybody else had had some sort of warning that I’d missed.  They were all shut up cosy in their houses.  Curtains drawn.   It was like being on the set of a horror movie.  No cars.  No people. Completely dark and shrouded in fog.  The only sound – my footsteps on the pavement.  I sort of liked it though.  We don’t get a lot of fog (which is perhaps as well as it doesn’t make ideal driving conditions) so when it does arrive it has a strange supernatural feel.

I had a feeling I was going to be the first one home.  The house would be stood in complete darkness.  No welcoming lights on.  It made me think about that first few seconds when you step inside and close the door behind you.  It’s dark and your eyes need to adjust to the light, in that moment before you locate the light switch, and everything is quiet , how do you know somebody’s not waiting there in the dark!  That’s a spooky thought – made me almost want to stay out in the comfort of the fog.

Flights of fancy aside however, of course I wasn’t the first home.  All the lights were blazing out, because the people in my family have no idea about energy conservation! and the dogs were sat at the door drumming their claws on the floor and waiting for their walk.

Fog or not, everything as normal as can be.

The Sandman by Neil Gaiman (Preludes and Nocturnes)

Just read the first of the Sandman (actually I already read No.3 already but I don’t think this adversely affects the storyline as it was almost like a standalone).

The Sandman is really my first foray into graphic novels and I think I’m probably spoiled now!

Preludes and Nocturnes, put basically, sees Dream being captured by a bunch of demon worshippers who were aiming to ensnare Death but miscalculated and instead got Dream.  They keep him trapped in a cellar for years and years (basically as they all become victims of their own mortality).  Eventually, he escapes, his dream world is ruined and he no longer has the tools of his trade.  And, so begins his quest. to regain his throne and restore his dream realm.

This is such a perfect combination.  Gaiman, who, lets face it, can do no wrong, lets his wicked imagination run riot and his amazing stories are brought stunningly to life with the most amazing images.  Frankly I find myself taking a lot longer to read the stories than I should because I’m totally diverted by the imagery.  The graphics are brilliant and are a perfect compliment to Gainman’s wriring.  The other thing that really strikes you is that in portraying the story this way there’s probably much more violence and blood than you actually realise – some of it really quite dramatic but it seems more acceptable somehow in this format.

I love the way that we have gods and myths, even aliens, all mixed up with the darker side of human nature.  I think I’m going to like Morpheus – he’s an odd character, he’s not perfect is he?  For example, he wanted revenge when he broke free from his captors – and who wouldn’t in his circumstances – but it shows a certain side to his character, a bit human really even though he isn’t human.  He also didn’t know how to retrieve his ruby from the crazy madman who was trying to cause the end of the world.  And we also met his rather quirky sister Death who defies all the stereotypes.

All in all a brilliant start to this series of novels.  I think my favourite – and you have to pick one really (it would be rude not to) was the foray into hell.  Brilliantly depicted and with the little duelling game at the end of the story where Morpheus takes on the demon who has his mask! (That demon was freaky looking – two mouths, I thought I’d gone cross eyed for a moment there).

Definitely recommend.

 

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