Kin (The Helga Finnsdottir #1) by Snorri Kristjansson

kinI thoroughly enjoyed Kin and thought it made a great start to what I’m presuming will become a murder mystery series featuring Helga Finnsdottir.  This is a murder mystery with a difference.  Set in Norway during the summertime of 970 this is a book with vikings.  But, calm your passions, the murders committed on the page don’t occur whilst plundering villages or out on the open seas.  Far from it.  The murders here are committed in the quiet of the homestead, with only family around, and virtually everyone is a suspect.

I’m not going to go into the plot because being a murder mystery it would be easy to spoil the outcome.  What I would say immediately is that I was completely swept away with this book.  I read it in one day because I couldn’t put it down.  It was a compelling read with a stark-like simplicity that was completely beguiling.

As the book begins we are introduced to Unnthor and Hildigunner and the other inhabitants of their homestead.  The farm itself is basically a longhouse, a few outbuildings, some animals and a small woodland.  This is a hard but honest existence, the days are filled with chores but there’s a clear happiness to the small family unit and their simple way of life.  Helga is the adopted daughter and Einar and his father complete the group.  However, the quiet simplicity of their lives is about to be transformed with the arrival of the rest of the family.  Unnthor has invited his children and their families back home for a meet.  You could be forgiven for thinking this would be a happy occasion and in some respects it is and yet there is an underlying current of tension that belies the excited expectations of such a gathering.

Unthor and Hildi have four children all now living away from home.  Three sons and a daughter. Karl has a streak of danger running through him.  He’s something of a brute and the sort of man who takes what he wants.  He’s no stranger to raids and the easy pickings they represent have given him an arrogant air of expectation.  His brother Bjorn is a positive giant of a man, he and Karl don’t get on and yet Bjorn has a certain quiet gentleness that makes him feel less of a threat than his brother.  Aslak is the third son, he doesn’t share the brute strength of his brothers, he’s more brains than brawn and his expectations lie more in the desire for a happy home.  Finally we have Jorunn.  She’s a clever woman.  Competitive and ambitious.  The four families descend on the farm, each of them with their own agenda and none of it bodes well, particularly given the rumours that their father is sitting on his own treasure hoard.  And then, of course, there is murder most foul and the inevitable realisation that the murderer is amongst them.  You can imagine how quickly the air becomes thick with fear and suspicion.  Finger pointing and bickering swiftly ensue but along with that a much more deadly threat.

It’s difficult to pin down what it is about this that really won me over.  Everything I suppose. The writing is clean and efficient, it does just what it needs to do with no unnecessary flourishes.  Everything is laid out with ease, the family dynamics and the lifestyles they all lead,  I felt like I knew the people.  Unnthor and Hildi are a formidable partnership.  They’ve raised their family with respect and fear and yet there’s almost a feeling of wolves waiting quietly to strike.  Unnthor’s strength is maybe not what it once was and although Hildi is a force to be reckoned with could it be that her children are becoming almost as sharp?  It almost has a feeling that they’re looking over their shoulders all the time.  What a horrible feeling knowing that your family seem to be waiting for you to weaken.

The place itself is really easy to picture.  There’s a breathtaking beauty about it, wide open skies and barren landscapes. And then we have a murder mystery.  Now, given the time period this is clearly not a police procedural style novel.  There’ll be no threat of prisons, or police called in to look for clues –  just brutal retribution for the murderer if discovered.  I think the really winning element of this for me is the unexpected way it turned into a whodunnit.  Don’t get me wrong, the writing style, the settings, the people the way of life – this isn’t Murder on the Orient Express – but it does have something in common in the way the story twists about until everyone has become a real suspect.  Basically my expectations were exceeded.  I was jumping about from person to person, suspecting all of them and only really making the discovery when the author intended me to do so.

In terms of criticisms.  They’re not really criticisms here so much as things that I would point out so that you go into the story forewarned.  It took me a little while to get all the family members and their respective partners and children straight in my own head but once I’d sorted them all out that wasn’t a problem – I would say it’s worth taking a few minutes to really figure out who’s who – otherwise the whole mystery element will be spoiled by the constant need to keep thinking back about how everyone is related.  Basically I took notes as I was going along – you might not need to resort to such means but I found it helped me to group everyone into their respective family knots.  There’s very little fantasy involved in the story – in fact the only element is the appearance of one of the Norse gods – and this could almost be whitewashed over as a flight or fancy on the part of Helga.  Did it really happen or did she just imagine it.  I suspect that Helga may have somebody watching over her and this may become more apparent in future books.  The lack of fantasy was clearly not a problem in my opinion but I point it out as the books I read usually have more swords and sorcery than not so I want to set expectations straight from the outset.  Finally, in spite of the era depicted this is told in a modern style.  Personally I loved this as I don’t want to struggle too much trying to make sense of olde worlde figures of speech and phraseology.  If you’re something of a history buff or are looking for a much more faithful depiction of the times then this might not be for you.  As it is, I loved the style, I felt like I got a really good look into the way of life without it becoming a work of art or over bearing to read.

I would definitely have no hesitation in recommending this and I look forward to seeing where Helga’s adventures lead us to next.

I received a copy courtesy of the publisher, through Netgalley, for which my thanks.  The above is my own opinion.

 

Weekly Wrap Up : 04/03/18

Posted On 4 March 2018

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Hi everyone.  For those of you having to put up with the Beast from the East I hope it hasn’t been too bad a week.  I must say I’ve seen some pretty funny pictures on twitter with polar bears stood outside cars and the like.  I suppose you have to do whatever to make it easier.  Anyway, I’ve not read much this week.  I did read the fabulous Kin which I should have a review of up tomorrow – vikings and murder mystery – what’s not to like.  We did watch Citizen Kane – I didn’t love it as much as I hoped to.  It was okay.  We also started watching Breaking Bad again because we never completed the series. And, the beauty of slowing down with my reading means that I’m catching up with reviews.  So, to my books:

Books read:

  1. Kin by Snorri Kristjansson – which I loved.

kin

Next Week’s Reads:

  1. Planetfall by Emma Newman
  2. The Bitter Twins by Jen Williams – I’m already 30% into this one.  It took me a little while to pick up the threads but I’m back on track now
  3. Master Assassins by Robert VS Redick – I’m about 50% into this one and loving it.
  4. Looking Glass by Andrew Mayne

Upcoming reviews:

  1. Starborn by Lucy Hounsom
  2. Envy of Angels by Matt Wallace
  3. The Chrysalids by John Wyndham (Vintage Sci Fi book)
  4. Semiosis by Sue Burke
  5. Between the Blade and the Heart by Amanda Hocking
  6. Kin by Snorri Kristjansson

I’d love to know what you’re reading this week.

The Toymakers by Robert Dinsdale

toysThe Toymakers is a book that I felt certain I would love, there was something about it that simply called out to me.  Perhaps it was a childish whim, perhaps it just appeals to the romantic side of my nature that is called forth by nostalgia, but, if you remember a time where a cardboard box was a castle, the underneath of a kitchen table a fortress and a sheet thrown between two washing lines a tent in the wilds then I dare say this will appeal to you too.  This is a book that simply shouts out to the child in everyone. It’s packed with imagination.

It starts at a time where the country has seen much war and perhaps in such times dreams become hope and toy shops become little miracles of possibility.

The year is 1917,  We meet with Cathy Wray who has brought shame to her family by becoming pregnant out of wedlock.  There are two solutions, Cathy can be taken to an institution that will deliver her baby and take it for adoption, or she can take herself out of that possible situation by running away.  Cathy chooses to run away from her home and finds herself in London where she becomes fortunate enough to find a job, room and board at Papa Jack’s Toy Emporium.

I’m not going to go into the plot any further because not only do I think that this book is best explored by the reader without any fore knowledge but also this book is so much more than the plot itself.

The writing here is beautiful.  The Imagination is captivating.  And, I think my biggest disappointment is that I just wanted to spend all my time in the Emporium itself – it’s magical, wonderful and breathtaking.  I felt like a child in a sweetie shop reading this.  It simply took me back.  I defy anyone to read this book and not feel the childish wonder that is evoked.  The emporium is incredible of itself, wonders that seem to defy expectation, Wendy Houses that are like a tardis once stepped inside, paper trees that seem to grow from tiny little boxes, toy boxes with more space within than physics can explain. Isn’t this just what your imagination was like as a child when anything and everything was possible?  The moon was a balloon that you could capture, your bedsheets became a rabbits’ warren and shadows could menace you with hidden faces.

The characters are also something out of a fairytale.  We have Papa Jack.  He’s like a big old grizzly bear.  Everyone is afraid of him whilst at the same time knowing that he’s softer than a wet tissue.  He has a history full of sorrow but at the same time he seems to be full of impossible magic.  He has two sons, Kaspar and Emil, they love their father, they love the shop and they love each other but at the same time they are inextricably set in a battle, not just of the toy soldiers that they pitch against each other year after year, but for the admiration of the father that they both adore.

Herein lies the crux of the matter.  Both boys are in a competition of sorts and one that eventually blinds them to the love they have for each other.  They compete over who makes the best toys, who will run the store, who wins their ongoing battle of the soldiers, who gets the girl, and who has the most magic.  And, unfortunately, things eventually turn very real and a little bit ugly.

The characters are a mixed bunch.   Cathy, although very much at the forefront of things almost feels secondary.  The competition between the two boys is very much the underlying force of the story and does in fact lead to something of a love triangle. The thing is, you have sympathy for one of the boys but at the same time it’s always clear who is the favourite of the piece.  Not just of Cathy or Papa Jack but of the reader and it’s a little bit sad because you really don’t want to choose between the two but at the same time it feels simply inevitable and also a little bit obvious.

In terms of criticisms.  Well, this is a book that, whilst I should have seen the way it was going, I really didn’t.  It’s a book that moves with the times and with it comes almost the death of a dream.  But, my niggle here comes in the actions of one of the characters.  For me it doesn’t ring true and the ending also takes something that is a beautiful dream and tries too much to turn it into something more.  For me, the ending chapters simply didn’t work and whilst it didn’t spoil the book for me it changed the feeling somewhat.  Otherwise, a stunning book.

Overall I loved this, it’s beautifully told and is perhaps one of the most evocative stories I’ve ever read.  I was a little bit underwhelmed with the ending but at the same time, on reflection, I can appreciate how difficult it was to maintain this fantasy and I can see why the author went down this route – I suppose I just wanted the dream to continue.

I received a copy through Netgalley, courtesy of the publisher, for which my thanks.  The above is my own opinion.

#SPFBO Finalists: My fourth book

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Below is a round up of the ten finalists that have been put forward in this year’s SPFBO (Self Published Fantasy Blog Off).  A link with more information about the competition can be found here.

finalists

I’ve now randomly chosen my fourth book for the SPFBO.  The books I’ve read so far are:  The War of Undoing by Alex Perry, Chaos Trims my Beard by Brett Herman and Pilgrimage to Skara by Jonathan S Pembroke.  The fourth book that I’m about to embark on is Sufficiently Advanced Magic by Andrew Rowe. This book was the finalist put forward by Bookworm Blues.

A little bit more about the book:

Sufficiently Advanced Magic (Arcane Ascension #1) by Andrew Rowe

sufficiently advanced.jpgFive years ago, Corin Cadence’s brother entered the Serpent Spire — a colossal tower with ever-shifting rooms, traps, and monsters. Those who survive the spire’s trials return home with an attunement: a mark granting the bearer magical powers. According to legend, those few who reach the top of the tower will be granted a boon by the spire’s goddess.

He never returned.

Now, it’s Corin’s turn. He’s headed to the top floor, on a mission to meet the goddess.

If he can survive the trials, Corin will earn an attunement, but that won’t be sufficient to survive the dangers on the upper levels. For that, he’s going to need training, allies, and a lot of ingenuity.

The journey won’t be easy, but Corin won’t stop until he gets his brother back.

Pilgrimage to Skara by Jonathan Pembroke #SPFBO

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skaraPilgrimage to Skara is the third book I read from the nine finalists of the #SPFBO. It’s a story that follows a journey, over harsh terrain in search of magic.

As the story begins we make the introduction of Pell Wendt.  Pell is a farmer but clearly there is more to him than at first meets the eye which becomes immediately apparent when he receives two visitors who want him to take on a quest.  Pell was a pathfinder, which means he took promising young people out to shrines where some form of magical ability would be bestowed upon them.  This isn’t a possibility for everyone mind, this is only for those who have passed an initiation test that shows they are able to wield magic.  Pell accepts the mission even though this is a more dangerous journey than any he has encountered before and the chances of survival are slim.  The young hopeful, Kellie, is the daughter of the Baroness of Kettiburg.  The usual promise of riches are made but the motivation for Pell accepting the challenge is that he was once in love with the woman who is now Baroness and although she left him in pursuit of her own ambitions he still carries a torch.

On the face of it this is the type of fantasy that I enjoy.  The promise of a journey over unforgiving terrain in search of magic whilst encountering dangers and difficulties along the way.  I do love this type of tale and in fairness I thought the book got off to a good start, but, ultimately, this one didn’t work quite as well as I’d hoped.

I’d say that the world here is post apocalyptic – although that might be the wrong description so please feel free to correct me.  Collum is broken up into the Hightown and Lowtown – no surprises that the former is filled with vying nobles, all jockeying for position and power.  Lowtown is filled with the peasants who the nobility barely deem worthy of notice even though they cleary do all the work.  The whole place feels, for want of a better word, unhappy, disillusioned and on the bring of disorder.  Life is hard, food is difficult to grow and beyond the safety of the walls lies the Outlands and the promise of plague.  The Lowlands are dangerous and populated with barbarians.  It’s not groundbreaking world building but it’s easy to read and form a picture in the mind’s eye.

In terms of characters.  We mainly follow Pell and Kellie, obvious I suppose as they’re the ones on the pilgrimage.  Neither of them come across particularly well although both of them have back stories that colour their actions.  Pell’s history has been harsh.  We eventually discover that he was at one point a fairly ruthless criminal until he found his true calling was to take potential magical adepts through the outlands in search of shrines of power.  He fell in love but ultimately the relationship failed and at this point, discouraged and miserable with life in general Pell took himself off and lived a life of solitude on the remote farm where we first made his acquaintance.  Kellie on the other hand has led a spoiled and pampered life at court.  She’s betrothed to a young man from one of the other noble houses which will effectively help to form a strong alliance and secure her house’s position.  When it is discovered that Kellie has magical promise her ambitious mother will  do anything to ensure that her daughter gains the magic within her grasp – even if it means putting Kellie’s life in danger to do so.  So, we have Pell undertaking a quest for the love of a woman who spurned him and Kellie undertaking the same quest because her hand has been forced by the same woman.  Finding out that her mother’s ambitions outweighed her affections was something of a blow to Kellie.  Both of them are consequently unhappy and coupled with their own prejudices this leads to animosity along the way.

On the face of it this is a book that I very much expected to like but as much as I wanted to love this there were elements that just got in the way.

As I mentioned above this isn’t a particularly unique idea but it’s still a good one.  A quest, a travel to find magic, an embittered adventurer and his young charge.  Tropes became tropes for a reason but there has to be something else thrown into the mix.  I liked the writing, it’s easy to get along with, not overly descriptive or filled with info dumps, but at the same time it just didn’t wow me.  The pacing was good and there was plenty of action but again the threat didn’t feel real and the problems felt easily overcome.  The characters were a little bit cheesy and the dialogue stilted.  Pell is constantly being referred to as ‘the best’ (he even describes himself as the best – no false humility there) – he’s been in retirement for 20 years.  How is it possible in those 20 years that he’s still the best?  Okay, I could overcome my disbelief if Pell’s actions spoke of his brilliance along the way but he was anything but impressive.  This is one of those examples in writing of being ‘told’ something and therefore being expected to run with it.  I don’t want to be told that Pell is the best, I want to read it through his actions, his creative thinking, the way he gets out of a difficult situation.  Show me he’s the best don’t tell me.  I never found myself liking Pell and to a certain extent that’s fine, you don’t have to like everybody you read about in fact it’s unrealistic to expect to like everyone. It’s more that I found myself constantly querying his motivations and actions.  And, then, of course, the young girl falls hopelessly in love with him.  Again, fine.  This I could understand in some respects although it’s a particular trope that I could really have done without.  He’s protecting her, even rescuing her on occasion – but, again, it just didn’t ring true.  Why on earth would she fall in love with him?  I just can’t get my head around it because none of his actions along the way ever made that scenario a possibility – other than, again, being told so – I needed convincing along the way and it didn’t happen.

This isn’t a bad book, it has some very good ideas, and I’m not against anti-heros or flawed characters – but, for me this had too many things that I felt like I was constantly railing against that prevented me from really immersing myself in the story.

I gave this book 4 out of 10 which equates to 2 of 5 stars on Goodreads.  Sadly this simply didn’t work out for me and so it’s not a book that I would ultimately recommend.

My thanks to the author for a copy of this book.  The above is my own opinion.

 

 

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