Can you write a character from the opposite sex??

So, the debate about whether authors can write characters of the opposite sex is one that never seems to lose interest.  It is something that gives me pause for thought sometime, especially if I’m reading a book where the character seems to be more about wish fulfilment on the part of the author – I mean, I suppose if you’re writing your own story why can’t you do that if you want, but it does make me wonder it it’s always intentional?   One of the more common arguments is that you need experience of what you’re writing about in order to do so convincingly but I’m not sure I agree with that – otherwise is Patricia Briggs a shapeshifter, has Alice Sebold been to heaven and did Tolkien ever really see a Balrog?  I think probably not.   What these authors had was a vision and the ability to write about it in a way that makes it come off the page for the reader and I think that the same goes with characters.  People have many different characteristics so simply belonging to the sex of the character you’re writing about doesn’t necessarily mean that that character will be believable any more than if you choose to write about the opposite sex – unless of course you’re just going to write a character that’s like you – after all we don’t all share the same opinions, likes, characteristics, ways of thinking, etc.

Anyway, there are many convincing arguments already written in this area, such as thinking of your character as a person and not over concentrating on the male/female aspect, but, I’m not going to dwell on these.  I thought I’d have have a look at some of those authors who I think have written successfully from the POV of the opposite sex.

Male authors writing female characters:

  1. Bram Stoker’s Dracula and the character Mina.  
  2. Terry Pratchett’s Discworld series and I’m thinking Tiffany Aching in the Wee Free Men books.
  3. Brandon Sanderson’s Mistborn with Vin and also the Emperor’s Soul with the character Shai.
  4. Philip Pullman and Lyra from His Dark Materials.
  5. Tolkien and Eowyn from Lord of the Rings.

Female authors writing male characters:

  1. Robin Hobb and Fitz from the Assassin’s Apprentice.
  2. J K Rowling and Harry Potter – not my favourite character I agree but she based the full series on a male protagonist who we got to watch grow up.
  3. Mary Shelley and Frankenstein.
  4. Gillian Philip and Seth from the Rebel Angels.
  5. Jane Austen and Mr Darcy, and, indeed, Mr Bennett, from Pride and Prejudice

I’m not necessarily saying that I love all these characters or that they’re my favourites but I think they are all well done.  Feel free to disagree or to add some examples of your own – it would be interesting to see if this list can be expanded on!

 

17 Responses to “Can you write a character from the opposite sex??”

  1. jessicabookworm's avatar jessicabookworm

    I can’t say I ever really think about the gender of the author and what gender their characters but I have heard similar discussions before. I totally agree about Stoker, Tolkien, Shelley, and Austen though.

    • @lynnsbooks's avatar lynnsbooks

      It’s an interesting discussion although I think most of the time, like you, I don’t think about the author or character gender when I’m reading, there has been the odd time when a character hasn’t read quite right but I would be probably hard pressed to think of them right now.
      Lynn 😀

  2. Elizabeth Campbell's avatar darkcargo

    Definitely! Here’s some others that have done well, in my all-too-judgy opinion:
    Sena (F), in The Last Page by Anthony Huso
    Daetrin (M), in The Madness Season by C.S. Friedman
    Sabriel (F) in Sabriel and that whole series by Garth Nix
    Ryshad (M) in The Swordsman’s Oath by Juliet McKenna

    This even extends beyond to genderqueer, too, like McKenna’s Shivvalan (GM) and Rook and Chess in A Book of Thorns (trilogy) by Gemma Files.

    What I think happens is that the authors don’t write genders, they write about people, you know what I mean?

    • @lynnsbooks's avatar lynnsbooks

      Yes, that’s exactly right – you have to concentrate on writing a person, not a gender.
      Now, hangs head in shame – I haven’t read any of these books – I’m sure that I’m actually living in a parallel universe!! I’m going to check them out and I’m going to add them to my list!
      Thanks 😀
      Lynn 😀

  3. Elizabeth Campbell's avatar darkcargo

    an interesting case argument, for me, is Joe Lansdale. When he’s good, he’s VERY good, when he’s bad, the book is lame. He does an excellent job of gender in his Hap and Leonard books, men, women and gay men. But there’s been one or two books where the woman is so stereotyped that it leaves me wondering if he was asleep at the wheel while writing.

    • @lynnsbooks's avatar lynnsbooks

      That’s another discussion right there about stereotypes – I was thinking about this when I was on the way home tonight (I know, I’m some sort of werido) but anyway, aside from that, some people are actually like a stereotype aren’t they – it sort of made me have a chuckle when I thought about it. But, you know what I mean and I’m not trying to be mean or anything?? Like, a few years ago, one of our friends, male, gay – nickname ‘Dolly’ – always clutching his pearls and calling you ‘a little witch’. Overboard on the exclamations, loved to gossip, etc, etc. Really good fun, but, if you were an author and you wrote about him everybody would probably think you’d bottled up every type of stereotype in existence and then released them all into the mix at once. I’ll have to think now about if I have any other friends who are like that.
      Lynn 😀

      • Elizabeth Campbell's avatar darkcargo

        yes, of course. Cue: walking through the local campus…
        interesting problem, though, but I think a good writer can let the reader know when s/he is intentionally channeling a stereotype vs just being lazy about it, yes?

      • @lynnsbooks's avatar lynnsbooks

        Absolutely – agree 100%.
        Lynn 😀

  4. Elizabeth Campbell's avatar darkcargo

    p.s. I like your discussion topics!

  5. Marie's avatar Marie

    I wonder if it’s easier for writers to pull this off if they’re writing fantasy or supernatural fiction? Or easier for them to get away with it…I mean, it’s more difficult to say that a character is unrealistic and that they would or wouldn’t respond in a certain way to situations, when the environment that they are immersed in is quite far removed from reality.

    I’m struggling to think of examples where I think this has been badly done. I think when it is badly done the reader is often left with a vague sense of something not quite right with the book rather than specifically the gender feeling obviously incongruous.

    • @lynnsbooks's avatar lynnsbooks

      You’re right about the fantasy/supernatural element and your comment made me think because sometimes when you’re reading, even though it’s a totally made up world, you still apply your own beliefs or feelings of right and wrong and this can spoil the book for you – Ann McCaffrey’s Dragon riders of Pern is a perfect example of this – it’s a fantasy world and there is one element where the girl in the story is, well frankly, raped. Now, it wasn’t graphic or anything, nothing gratuitous but I had to almost have a rethink mid read – basically what happened to this girl was part and parcel of this world and the way the dragon riders live so it was viewed differently and once I’d sort of shook myself up and given myself a bit of a talking to I was then able to view it differently and enjoy the rest of the story.
      It sometimes makes me laugh when people argue about something being unrealistic when they’re reading supernatural fiction – come on, you’re reading about shape shifters or fae or vampires after all!
      Lynn 😀

  6. Genki Jason's avatar Genki Jason

    Nice examples. Darcy is a good character and Mina isn’t a total damsel.

    Haruki Murakami can write women well although some had problems with Fuka-Eri in 1Q84. After Dark has a great male/female pairing. I think it’s how the writer approaches making a character a person as well as somebody essential in telling the story. When a writer gets it right then the issue of gender flies away.

    I read A History of Tractors in Ukrainian and felt that the male characters were a little shallow but it was a comic tale so I let it pass by.

    • @lynnsbooks's avatar lynnsbooks

      I haven’t read any Murakami yet! Very bad. I think I have a book though on my shelves – it’s got put behind a few others I think. It needs a rescue mission. I think George Martin puts it perfectly in an interview I read of his “‘Yes, you’re right I’ve never been an eight year old girl,’ he says, ‘but I’ve also never been an exiled princess, or a dwarf or bastard. What I have been is human. I just write human characters.’
      Lynn 😀

      • Genki Jason's avatar Genki Jason

        I like that quote a lot!

      • @lynnsbooks's avatar lynnsbooks

        It’s pretty good for sure. Sums it up in a nutshell.
        Lynn 😀

  7. TBM's avatar TBM

    I was just thinking the other day if I would ever write a novel from a male perspective. I wasn’t able to decide. The research would be interesting though.

    • @lynnsbooks's avatar lynnsbooks

      Ah, yes, research….. you would need e x t e n s i v e research!
      Lynn 😀

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